Like the pulpits recent rom-com Set It Up, theres a solace nutrient caliber to this simple, unremarkable humor starring Kristen Bell and Kelsey Grammer

It’s difficult to use messages like success or failure to describe a Netflix original movie since the stream programme remains reticent over sharing any concrete regard figures. But even without such data, it was clear that June’s sprightly rom-com Set It Up was a uncommon succes, garnering warm reviews and a remaining online buzz, stronger than some of their starrier, more expensive things. Arriving immediately following, there’s a similar comfort food excellence to their recent formulaic comedy Like Father, a primarily likable if utterly unremarkable collection of froth.

Kristen Bell stellars as Rachel, a workaholic New Yorker who we first read taking an important work call … right before she heads up the aisle. Keeping her phone close at hand as she prepares to get married, her fiance receives it as the last straw and, with their friends and family watching, dumps her. Trying, and neglecting, to maintain a professional veneer back in the role, she soon is in relation to a cavity of self-pitying and alcohol which induces her to a rail with estranged father Harry( Kelsey Grammer ). The two waste all darknes sucking and build the drunken decision to take the pre-booked honeymoon cruise together. The morning after, out at sea, the vacation seems somewhat less amusing …

If reports are to be guessed, then an integral step in Netflix’s artistic decision-making process is a thorough examination of user behavior , notice what’s clicked on, watched, rewatched, downloaded and binged, meaning that we can only accused ourselves for the platform’s recent obsession with poorly made sci-fi schlock. When taking this into account, it’s easy to see why Like Father would be given a easy green light. It’s soft-hearted Sunday afternoon fodder that would struggle to get audiences out of their living rooms and into the cinema but as a no-stakes click at home, a no-brainer.

Taken as such, it’s not without virtue. Initially, “theres something” cosily charming about the algorithm-based shell within which it plays out, harking back to late 80 s/ early 90 s humors that don’t often get made anymore, at least not on such a magnitude. There’s a familiar soul-heavy soundtrack, opening ascribes that are overlaid on top of a sweeping shot of Manhattan and the lore that everything will play out in precisely the space you expect. Writer-director Lauren Miller Rogen, who co-wrote 2012′ s fun, flimsy comedy For A Good Time, Call …, has also picked a center duo who feel as familiar as the thinly inscribed planned that surrounds them.

Grammer, experiencing his biggest movie role for fairly some time, channels his considerable sitcom experience for a deadbeat daddy character whose superhighway to saving have had an opportunity to unfolded over a two season arc. He shares an effortless chemistry with his on-screen daughter, playing with a sharp-worded side by Bell, suffering a job high-pitched with her capacity in The Good Place, arguably the best comedy on TV right now. After Veronica Mars, Bell had a rocky path on the big screen, too often orientation as a cutesy romantic lead, but when she’s allowed to get in touch with her saltier side, she’s far more effective.

Speaking of salty, there’s a strange espouse of the unmoderated nature of Netflix originals, which don’t face the same certification worries that big screen releases encounter. It means that pretty much anything departs which can lead to films feeling less neutered but can also result in an peculiar dissonance. In Set It Up, the harmless PG-1 3-esque rom-com is abruptly interrupted by a reputation use the word cunt, something that would have meant an point R rating in theaters. In Like Father, there’s a same handful of swear words (” I’m a fucking bride, you fucking cocksucker !”) that feel strange cushioned in such romantic, risk-avoiding territory.

Kristen Kristen Bell and Kelsey Grammer in Like Father. Photograph: Emily Aragones/ Emily Aragones/ Netflix

Aside from some choice curses, the write doesn’t really move outside of safe territory. There’s a “going through the motions” feel to much of it, as if it’s more of a screenwriting practise than a screenplay with Miller Rogen refusing to delve that deep into the ruptured tie-in at the center and littering her cinema with tired cliches. New Yorkers are angry, Canadians are friendly, stoned old beings are hilarious and there’s a regressively written homosexual couple complaining about carbs, flirting with straight men and making unfunny, lewd observes (” I enjoy anything stupendous !”).

There are simple solaces to be had here but one wishes there were more of them. It is nice to see a Netflix film with some aesthetic passion( it’s as slickly filmed as a big screen comedy) and there’s a duet of undeniably accomplished conducts( along with an amiable cameo from Miller Rogen’s husband Seth Rogen) but it doesn’t really was tantamount to much. It’s an undemanding watch, easily digestible while on in the background, but even easier to forget.

Like Father will be available on Netflix on 3 August

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