Like the programmes recent rom-com Set It Up, theres a comfort nutrient quality to this simple, unremarkable slapstick starring Kristen Bell and Kelsey Grammer
It’s difficult to use messages like success or failure to describe a Netflix original movie since the stream scaffold remains reticent over sharing any concrete view chassis. But even without such data, it was clear that June’s sprightly rom-com Set It Up was a rare prevail, garnering heated the examinations and a linger online buzz, stronger than some of their starrier, more expensive things. Arriving soon after, there’s a same convenience meat tone to their recent formulaic slapstick Like Father, a predominantly likable if wholly unremarkable collection of froth.
Kristen Bell idols as Rachel, a workaholic New Yorker who we first view taking an important work call … right before she heads up the alley. Keeping her phone close at hand as she prepares to get married, her fiance finds it as the last straw and, with their friends and family watching, drops her. Trying, and miscarrying, to maintain a professional veneer back in the power, she soon falls into a crater of self-pitying and booze which leadings her to a bar with estranged leader Harry( Kelsey Grammer ). The two waste all darknes boozing and constitute the drunken decision to take the pre-booked honeymoon cruise together. The morning after, out at sea, the vacation seems somewhat less amusing …
If reports are to be belief, then an integral step in Netflix’s creative decision-making process is a thorough examination of user behavior , notice what’s clicked on, watched, rewatched, downloaded and binged, meaning that we can only blame ourselves for the platform’s recent preoccupation with poorly made sci-fi schlock. When taking this into consideration, it’s easy to see why Like Father would be given a easy green light. It’s soft-hearted Sunday afternoon fodder that would struggle to get audiences out of their living rooms and into the cinema but as a no-stakes click at home, a no-brainer.