From marital gossips to on-screen magnetism, a documentary about Ingrid Bergman praises an actor who consistently refused expectations
Nearly 20 decades ago, I went to stay with my husband in a house owned by the family of Roberto Rossellini, the great neorealist Italian film director. We invested our periods as you do when you find yourself in an idyllic hideout in the Italian sunshine: interpret; lying by the consortium; watching the light through the trees. And I thought about Ingrid Bergman, who must have visited this secluded villa at a time when her life was in free fall.
Its hard it is now time see the various kinds of gossip Bergman stimulated when she became pregnant with Rossellinis child, while still married to her first husband Petter Lindstrm. She wasnt just a bride, she was a mom, and had left her daughter Pia behind when she went off to Italy to work with Rossellini. The resentment was scalding. Bergman news jolts Hollywood like an A Bomb hollered one newspaper headline, neatly combining two of the most important news item of 1949.
In the US, religious groups began awareness-raising campaigns to proscription her cinemas on the grounds that they sanctified adultery. In Italy, she and Rossellini were followed everywhere by paparazzi, their attendants for the rest of their hectic life together.
I was a danger for American womanhood, she told an interviewer, years later. Even my voice over the radio was supposed to be dangerous. Of direction I was throbbed, but I didnt believing that what I had done was so much other folks business … If you dont like the implementation of its, you can walk out, but to criticise families private life, I thought was wrong.
That rebellious statement of intent is quoted in Ingrid Bergman: In Her Own Words , a new documentary film to be determined by Stig Bjrkman that tells the story of one of Hollywoods most enduring stars. It sucks on her diaries, words and interrogations, interspersed with residence movies, and peeks of the actor in all her screen greatnes, from her Swedish introduction in 1935 to her Hollywood heyday in the 1940 s to her final characters roughly 40 several years later. It is a disclosing insight into a woman who consistently withstood expectations.